Collecte Cadeau Di Man Ray

Collecte Cadeau Di Man Ray. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The original is lost but its concept survives through later reproductions. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921.

Cool Man Ray Wikiwand

The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The original is lost but its concept survives through later reproductions. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'.

An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921.

From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The original is lost but its concept survives through later reproductions.

The original is lost but its concept survives through later reproductions. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The original is lost but its concept survives through later reproductions. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'.

The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The original is lost but its concept survives through later reproductions. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole.. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921.

The original is lost but its concept survives through later reproductions. The original is lost but its concept survives through later reproductions.

From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The original is lost but its concept survives through later reproductions. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in

An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921... The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. The original is lost but its concept survives through later reproductions. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole.

The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921.

The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'... An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. The original is lost but its concept survives through later reproductions. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in.. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole.

The original is lost but its concept survives through later reproductions... From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The original is lost but its concept survives through later reproductions. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'.

An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The original is lost but its concept survives through later reproductions. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'.. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in

The original is lost but its concept survives through later reproductions. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The original is lost but its concept survives through later reproductions. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole... The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'.

An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The original is lost but its concept survives through later reproductions.. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'.

An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The original is lost but its concept survives through later reproductions. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole... The original is lost but its concept survives through later reproductions.

The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. The original is lost but its concept survives through later reproductions. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in

The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. .. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole.

An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921... An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921... The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'.

An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The original is lost but its concept survives through later reproductions. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'.. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921.

From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in.. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'.

The original is lost but its concept survives through later reproductions. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole.. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in

The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'... The original is lost but its concept survives through later reproductions. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921.

The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. The original is lost but its concept survives through later reproductions. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in

An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The original is lost but its concept survives through later reproductions. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole.. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole.

The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The original is lost but its concept survives through later reproductions.

The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. The original is lost but its concept survives through later reproductions. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole.

The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole.

The original is lost but its concept survives through later reproductions. The original is lost but its concept survives through later reproductions. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole.

The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'.. .. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in

From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The original is lost but its concept survives through later reproductions. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The original is lost but its concept survives through later reproductions.

The original is lost but its concept survives through later reproductions. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The original is lost but its concept survives through later reproductions. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921.

An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921.

The original is lost but its concept survives through later reproductions. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. The original is lost but its concept survives through later reproductions. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921.

The original is lost but its concept survives through later reproductions... The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. The original is lost but its concept survives through later reproductions. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921.

The original is lost but its concept survives through later reproductions.. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The original is lost but its concept survives through later reproductions. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole.

From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The original is lost but its concept survives through later reproductions. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'... From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in

From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in.. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The original is lost but its concept survives through later reproductions. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole... An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921.

The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The original is lost but its concept survives through later reproductions. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'.

An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921.. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The original is lost but its concept survives through later reproductions. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921.

The original is lost but its concept survives through later reproductions... From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The original is lost but its concept survives through later reproductions. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921.

The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The original is lost but its concept survives through later reproductions... The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole.

From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The original is lost but its concept survives through later reproductions. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole.

An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. . The original is lost but its concept survives through later reproductions.

The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole.. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The original is lost but its concept survives through later reproductions. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'.. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'.

The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. The original is lost but its concept survives through later reproductions. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'.

From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The original is lost but its concept survives through later reproductions... The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole.

The original is lost but its concept survives through later reproductions. The original is lost but its concept survives through later reproductions. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in

From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in.. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'... The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole.

From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The original is lost but its concept survives through later reproductions. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921.. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in

From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in.. The original is lost but its concept survives through later reproductions. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in

The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in

The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The original is lost but its concept survives through later reproductions. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The original is lost but its concept survives through later reproductions.

The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole... An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. The original is lost but its concept survives through later reproductions. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The original is lost but its concept survives through later reproductions.

The original is lost but its concept survives through later reproductions.. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. The original is lost but its concept survives through later reproductions. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921... The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'.

From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The original is lost but its concept survives through later reproductions. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole.

The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole... The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The original is lost but its concept survives through later reproductions. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921.

The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921.. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in

From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The original is lost but its concept survives through later reproductions. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921.

The original is lost but its concept survives through later reproductions... The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The original is lost but its concept survives through later reproductions. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole.

The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The original is lost but its concept survives through later reproductions. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921.. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'.

An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The original is lost but its concept survives through later reproductions. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole.. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921.

An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in

The original is lost but its concept survives through later reproductions. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921.

The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole... The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. The original is lost but its concept survives through later reproductions. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921... From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in

The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'... An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The original is lost but its concept survives through later reproductions... An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921.

The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The original is lost but its concept survives through later reproductions... The original is lost but its concept survives through later reproductions.

The original is lost but its concept survives through later reproductions. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in

The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole.. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The original is lost but its concept survives through later reproductions... The original is lost but its concept survives through later reproductions.

The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The original is lost but its concept survives through later reproductions. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. The original is lost but its concept survives through later reproductions.

The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'... The original is lost but its concept survives through later reproductions. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921.

The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'. The original is lost but its concept survives through later reproductions. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'.. The nails and burning metal suggest a violent eroticism at odds with the work's title, the french word for 'gift'.

The original is lost but its concept survives through later reproductions. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921.. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921.

An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921... The original is lost but its concept survives through later reproductions. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in The gift (le cadeau in french) is a readymade sculpture by man ray, consisting of an iron with fourteen thumb tacks glued to its sole. An iconic work of the dada movement, it was created spontaneously and exhibited at the opening of ray's first solo show in paris, at phillippe soupault's galerie six on december 3, 1921. From michael lisi / contemporary art, man ray, cadeau (1921), cast iron sculpture with brown patina and copper nails, 6 1/2 × 4 × 3 1/2 in